![]() ![]() Important observation to note is that Ms. Lisitsa? What about the right of businesses to disassociate from performers, contractors and employees who have a negative effect on their bottom line? Businesses have a right to care about their image, and fire those who hurt it and their profits – this is business, not censorship. Iveri as yet another martyr for freedom of speech as they did with Ms. Why didn’t the Canadian media portray Ms. Iveri found very few supporters and there were no editorials defending such a vile position. Lisitsa simply refuses to take responsibility for her speech unlike all of us must do.įew remember that in 2014, both Opera Australia and La Monnaie Opera in Brussels dismissed the Georgian soprano Tamar Iveriover her Facebook post where she referred to gay people as “fecal masses.” Ms. How is her freedom of speech infringed on or limited in any way? The truth is Ms. No one jails Lisitsa for her speech, while the Russian government jailed people for just holding “Je Suis Charlie” signs. Lisitsa continues tweeting and expressing her views in public. ![]() Some went as far as comparing Lisitsa to the victims of Charlie Hebdo – an immoral and rather inappropriate comparison given that she lost a contract while others lost their lives. This rhetoric was also picked up by many in the mainstream media in Canada and UK portraying Lisitsa as a martyr of free speech and a victim of censorship, yet coverage in the United States focused on Lisitsa’s racist tweets. Immediately, the Kremlin-controlled media went into a complete frenzy over Lisitsa with further promotion of war propaganda and vilification of the West. Her attitude, and the mob-like behavior of her devotees, censored Rachmaninoff’s second concerto.” Dragging other people who have nothing to do with her position does nothing constructive. Free speech has consequences, and one most own one’s position. Her most recent “plea” to her fans and followers to attack the orchestra that released her of her performance schedule was unfortunate. Wednesday, August 15, 7:30 PM, Petrillo Music Shell, Grant Park, Columbus and Jackson 31.Īrt accompanying story in printed newspaper (not available in this archive): photo/Iran Issa-Khan.“Her words offended many people who perceived her as pro-violence and anti-love. There are also two Russian pieces on the program, naturally: Shostakovich’s Concertino for Two Pianos, intended as a showcase for his son Maxim, and Rachmaninoff’s craggy, monumental Symphonic Dances. (Percussionists Pedro Carneiro and Michael Green will play timpani, xylophone, and a handful of other instruments.) William Bolcom’s Recuerdos, a suite of three Latin dances, evokes in turn the styles of American Louis Moreau Gottschalk, Venezuelan Ramon Delgado Palacios, and Brazilian Ernesto Nazareth. The best known is Bartok’s vigorous Sonata for Two Pianos and Percussion, which calls for split-second coordination in its unison lines and rapid contrapuntal passages. Lisitsa and Kuznetsoff made their American debut in Chicago in 1991 and have been back to town often, singly and together this time they’ll tackle four rarely performed 20th-century works. They often gesture with their arms and hands or sway to the music with a synchrony that looks choreographed their breezy, endearing stage presence makes their teamwork emotionally satisfying, not just technically impressive. Though each pays attention to the other’s phrasing and dynamics to avoid dominating a performance, they achieve this balance not by holding back but by matching each other’s heights. Both have been trained in a Russian style that emphasizes flashy virtuosity and quasi-military discipline, but their musical temperaments are so similar–fiery, confident, with a penchant for explosive percussive effects–that they easily could’ve developed an aesthetic sympathy without this common background. The two met at the Kiev Conservatory, matched as duo partners by a revered teacher of the two-piano repertoire. And Ukrainian-born pianists Valentina Lisitsa and Alexei Kuznetsoff, who’ve been performing together for close to 20 years, have actually been a married couple for more than a decade–though it’s tempting to see their romantic relationship as an inevitable offshoot of their extraordinarily intense onstage rapport. It’s a compliment to any piano duo to say they play like a married couple. Best of Chicago 2022: Sports & Recreation.Best of Chicago 2022: Music & Nightlife.Get your Best of Chicago tickets! Line-Up Announced > Close ![]()
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